About

I am a Philadelphia-based graphic artist with seventeen years of professional experience in graphic design, presentation design, illustration, tablet app interface design, and production art.

I have worked for a variety of clients, including the bands The Lovin’ Spoonful and Blood Sweat and Tears; corporate clients, such as Barnes and Noble.com and Independence Blue Cross; and non-profit organizations, like The James Joyce Centre in Dublin, Ireland and the Rosenbach Museum and Library in Philadelphia. In addition, my collaborations with fellow artist Robert Berry have been published in two volumes of editor Russ Kick’s beautiful three-volume series, The Graphic Canon.

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Clients

Clients (Past and Present) Include:

  • Barnes and Noble.com
  • Independence Blue Cross
  • Seven Stories Press
  • Passion River Films
  • The James Joyce Centre, Dublin, IE
  • Global Bloomsday Gathering (worldwide)
  • The Tug McGraw Foundation
  • Blood, Sweat and Tears
  • The Lovin’ Spoonful
  • Children’s Hospital of Philadelphia / Sodexho
  • The Philadelphia Convention and Visitors’ Bureau
  • University of Pennsylvania
  • The Rosenbach Museum and Library
  • Paradise Artists, Ojai, CA
  • Konwiser Bros. Films
  • Star Cloud Press
  • The Pyramid Club of Philadelphia
  • Devine and Powers
  • Rothamel Bratton Law
  • The Bicycle Coalition of Greater Philadelphia
  • TRG Healthcare Management
  • The Building Owners and Managers Association of Philadelphia
  • The Crowne Plaza Center City, Philadelphia
  • The Sofitel
  • The Westin Hotel
  • Thomas Realty Partners
  • The Variety Club of Philadelphia
  • SignatureOne Graphics
  • Silica Builders
  • Weichert Realty

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Ulysses “Seen”

US_Logo HeaderI have been an artist and a fan of literature (at varying levels) for as long as I can remember. As a child I was surrounded by my father’s impressive library of great literary works, and I was THAT guy in your English class (or at least in mine). Having caught the ULYSSES bug in a big way, I didn’t have to think twice about accepting artist Robert Berry’s invitation to work with him on his ambitious comix adaptation of the original 1922 Edition of Joyce’s masterpiece. I am thrilled to have played the role of graphic/web designer, production artist, and hand-letterer on this phenomenal project and to have worked with such a skilled and knowledgeable group of people. My work on the project continues to bring opportunities to meet and create design work for events all over the world.

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